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Cristina Lucas

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The world has neither end nor purpose, but is composed of so many forms converging and diverging in mathematical progression that it is impossible to concretize. How to face the ocean of data in which “liquid modernity” has submerged us? Maybe anchoring seemingly ordered images will help modulate the anxiety in which the space-time binomial has situated us.

Cristina Lucas (Jaén, 1973) studied Fine Arts at the Complutense University of Madrid (1998) and was an exchange student in the master’s program at the University of California in Irvine (1999–2000), as well as resident artist in the International Studio & Curatorial Program (ISCP) in New York (2003) and the Rijksakademie in Amsterdam (2006–2007). 

She lives and works in Madrid. A multi-disciplinary artist, her photographs, videos, drawings, and installations reflect on the necessity of discovering possible distinct readings of official history that better explain the present. Occasionally her intervention consists of globalizing a point of view of a common fact that is understood everywhere in the world, such as happens with sexuality, economy, language, war … 

Her solo exhibitions include Trading Transcendence at the Musée d’Art Moderne Grand-Duc Jean in Luxemburg (2016–2017), Manchas en el silencio in the Sala Alcalá 31 in Madrid (2017), Global Edges at OK Center for Contemporary Art in Linz (2016–2017), Es Capital at Matadero Madrid (2014), Light Years in the CA2M Centro de Arte Dos de Mayo in Madrid (2009), and Talk at the Stedelijk Museum in Schiedam, the Netherlands (2008).

She has also participated in the 28th Bienal de São Paulo (2008), the 10th Liverpool Biennial (2010), the 8th Bienal del Mercosur (2011) and the twelfth edition of Manifesta, Planetary Garden (Palermo, 2018); currently she is taking part in the 12th Shanghai Biennale, PROREGRESS. Her work is held in collections such as the Mudam in Luxemburg, the Centre Pompidou in Paris, the Kiasma in Helsinki, and the Museo Artium in Vitoria-Gasteiz.

This publication is commissioned by the Embassy of Spain in the Philippines in conjunction with the Spanish Cooperation through the Spanish Agency for International Development Cooperation (AECID). The views expressed herein are the sole responsibility of the authors and do not necessarily reflect the views of the AECID nor of the Embassy.

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